PUERTO RICO! HOOOOOOOO! BLACK PEOPLE! HOOOOOOOO! PUERTO RICO! HOOOOOOOOO! BLACK PEOPLE! HOOOOOOOOO! PUERTO RICO! HOOOOOOOO! BLACK PEOPLE! HOOOOOOOO! PUERTO RICO! HOOOOOOOOO! BLACK PEOPLE! HOOOOOOOOO! PUERTO RICO! HOOOOOOOO! BLACK PEOPLE! HOOOOOOOO! PUERTO RICO! HOOOOOOOOO! BLACK PEOPLE! HOOOOOOOOO! PUERTO RICO! HOOOOOOOO! BLACK PEOPLE! HOOOOOOOO! PUERTO RICO! HOOOOOOOOO! BLACK PEOPLE! HOOOOOOOOO! PUERTO RICO! HOOOOOOOO! BLACK PEOPLE! HOOOOOOOO! PUERTO RICO! HOOOOOOOOO! BLACK PEOPLE! HOOOOOOOOO! I may not know much about whatever it is they call reggaeton, but I know this much. I used to play the fuck out of some Frankie Cutlass, and I used to buy the shit out of some Tony Touch reggae mixtapes, so I probably know more about reggaeton than most people with fake platinum Sean Paul medallions. I also know that whatever issue of Fader had those Nina Sky chicks on the cover, who sang the hook in that Noreaga song "Mas Maiz", it was in my bathroom forever and I fell in love with those two chicks like seven thousand times, wishing they were my full steezies. HOOOOOOOOOOO! FULL STEEZIE! HOOOOOOOOOO! COCKER SPANIELS! NOOOOOOOOOOO! FULL STEEZIES! HOOOOOOOOOO! COCKER SPANIELS! NOOOOOOOOOOOOO!
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