RAVEN MACK is a mystic poet-philosopher-artist of the Greater Appalachian unorthodox tradition. He does have an amazing PATREON, but also *normal* ARTIST WEBSITE too.
The metaphysical veil is thick today… I can feel
the pressure pushing in on all fronts. The fog machine malfunctions and you can
hear the cogs and gears grinding because the oil of forever progress is not
sustainable and the mechanisms are struggling to keep up the pace we’ve all
been forced to depend upon. Metaphysical land mines are everywhere, exploding
into unseen crises, damaged people going about their days as if nothing has
happened but inside they are mangled, missing limbs, bleeding to a psychic
death, but afraid to admit it on the external level. I rode the bus this
morning, simultaneously about to cry and about to smash the shit out of anybody
who looked at me wrong. Some kid was in the back with me, playing his fucking
phone out loud, blip bloop noises, and there was no fog to hide in, I refused
the electronic opioids in my pockets, and stared out the window as construction
continued unabated on Main Street of Charlottesville, Virginia, the busy town
pretending everything was moving along just fine, everything’s fine. But you
can feel it… it’s all really close to breaking down. I wish you well.
You can pretend you’re
better than all that, which most people do who share songs extremely online and
write little half-clever blurbs to go with them, but I’mma be honest... a lot
of times it just makes sense to be blasting some trash ass reggaeton with twenty
chicken nuggets from the Burger King drive-thru riding shotgun. You might not
have anywhere in particular to go, but you’re still gonna go the long way
because fuck it, even moving nowhere is better than being stuck. [Please note the Nature Boy in this video.]
Your Ol’ Droog is a rapper from a futuristic
dystopian era of post-empire America where people carry handheld computing
devices which monitor and share all their activities with the corporate
authorities, who exchange data with the military industrial police state. The
corporate authorities maintain revenue streams, all the while advertising the
majority of their services as “free”, because the people have been enculturated
to fetishize freedom without critical thinking. Thus the mere mention of “freedom”
or “free” triggers positive chemical releases in the brains of the people, thus
supplicating them, and also pulling them further into the mechanisms in place.
Most humans in this futuristic dystopia actually openly snitch on themselves,
revealing publicly info that would better be kept concealed, under the guise of
being “woke”, and that revealing as much as possible is empowering, when in
actuality it only further narrowed down their own potential outcomes, as well
as being used to microfilter the neurological advertising directed to them
individually.
Your Ol’ Droog’s offering here, thus ironically
refrains, “I only play the games that I win at,” which performatively acts in
control of the rapper’s larger life, which works to give dystopian era
inhabitants the momentary dopamine release of denying reality, pretending that
choice is still a possibility in an increasingly engineered everyday world. While
seemingly an exercise in independent thought, it actually works as an
affirmation of the mechanisms in place, and keeps individual inhabitants off
their oddy knocky. All of our Gullivers seem to us to be traveling a worldwide
web of various places, when in actuality we are prisoners in our own
metaphysical pens, suffering from solitary confinement of the heart, and
numbing ourselves to the pain through as much digital fog as we can ingest,
each and every day.
The wrestling storylines today are mostly just the
WWE storylines, and that storyline’s largest manufactured arc is that somehow
the Royal Rumble leads up to Wrestlemania season. This of course is all trash
storylines compared to back when wrestling was a myriad of regional promotions
ran like degenerate improv theater, where the writers were basically outliners
and the ridiculous characters who fell through the cracks into the wrestling
business fleshed out the details, often times outlandishly. What I’m saying is
despite the resurgence in digital appreciation for the wrestling arts, the WWE
is fucking boring. And it always has been. But if you tell somebody that, they
get mad at you, if they are a wrestling fan. But being a wrestling fan and
thinking the WWE is great is akin to saying you love having sex but all you’ve
ever had is straight missionary. You have barely even explored what it means,
and to be honest, haven’t even gotten to the good stuff.
But we are also America, a prudish culture that
has built this myth that we are bold because of our freedoms. Yet most people
are afraid to express themselves in any true fashion, and thus the repressive
expression of the WWE is perfect as a performative act of quirkiness. But in
actuality, it is no coincidence that Vince McMahon’s wife Linda is part of
Donald Trump’s governing team. The WWE and Donald Trump are fraternal brothers,
and the pretend change “drain the swamp” antics of Trump which have given us open
fascism are the result of years of social conditioning that the WWE’s
professional wrestling has given us. All this didn’t happen overnight – we were
primed for decades.
Anyways, it’s Royal Rumble weekend, which is a buffet
of boring chemically enhanced performers, mixed in with faded stars of
yesteryear, meant to create a nostalgic pop in the greater markdom, in order to
spark a desire to give half a fuck about the upcoming Wrestlemania, which pretends
to be a Super Bowl of sorts, thus tying the Royal Rumble to Wrestlemania
build-up into Super Bowl weekend, and the twin sports entertainment arms of
American fascism (football and wrestling, neither of which is actually what it
claims to be).
We are not doomed, but we’re way more fucked than
anybody seems willing to admit. There will be a period of nihilistic degeneracy,
as exemplified by this Westside Gunn (and Griselda Records crew) track named
after Wrestlemania 20. I am too old now to look forward to this period, but fuck
it, you play the hand you’re dealt, even if the dealer is dealing from the
bottom of the deck, your entire life.
Millie Jackson has it down pat, recognizing the
space needed in alternative relationships, and also setting her own boundaries,
specifically the lack of washing other people’s funky draws. But mostly listening
to this classic vinyl rip into cyberworld reminds me I have my turntable hooked
up again, and purple christmas lights, which I should just call life lights
because they’re more for regular life than christ things, and I’ve got a giant
stack of 45s over there across the room, just begging to be slowed down to 33,
to manifest an intention to slow down this life itself. MP3s don’t have speed,
so we think this rapid-fire pace is the way the world is. Shit man, J. Cole
just dropped new tracks yesterday and already half the world has declared them
a triumph or failure and people steadily cranking out thinkpieces about SHIT
THAT CAME OUT YESTERDAY. Slow the fuck down y’all. Slow the fuck down.