RAVEN MACK is a mystic poet-philosopher-artist of the Greater Appalachian unorthodox tradition. He does have an amazing PATREON, but also *normal* ARTIST WEBSITE too.
I am out of shape, poorly so, but so is the state
of society. Should probably get my shit together in case we have to start
killing each other with machetes over bags of rice.
GET OUT THE COCONUT OIL AND CUT ON THE RED LIGHT
BABY. PITCH SHIFT THIS DOWN FOUR NOTES AND PUT IT ON REPEAT, FOR AT LEAST
TWENTY-TWO MINUTES. WE GONNA HAVE TO WASH THE PINK TIGER STRIPE SHEETS TOMORROW
MORNING FOR SURE.
I miss LPs. You know full-blown conceptual LPs but
that were limited by the amount of space to press grooves into 12 inches of
wax, but could be packaged in sleeves that sometimes opened up gatefold style,
or others didn’t but might have a designed sleeve on the inside holding the
album. Concepts still happen all the time, but the notion of weaving concepts
into tapestry of concept for larger development of a theme is to a large extent
lost. I mean, whatever, that’s how this shit works. The way you physically make
the art (which in this case is digitally) changes the limitations of it. When
we started having CDs, they could add bonus tracks because you could squeeze
more minutes into a CD burn than an LP press.
My folks had a healthy record collection when I
was young, which I guess is to be expected from young parents who smoked a lot
of weed. Some albums intrigued me a lot, because of the overall weight they
seemed to hold, in terms of the music as well as the packaging. Outlaw country
and old school singer songwriter types were probably the bread and butter of my
dad’s records he played, either drunk or hungover on weekend days. But
Innervisions got constant play, especially the side with “Living for the City”.
My dad famously liked to say the only time he went to New York City was riding
a bus back to Virginia from having done a stint in juvie in Ohio when him and a
friend stole a Cadillac to meet some girls in Michigan. He was eating in the
bus stop café, and some crazy guy banged on the glass at him, trying to get him
to come outside and fuck his entire life up forever. My dad detested the city,
likely because it was scary. When my folks dropped me off at my dorm when I
moved to Richmond to go to college, he was upset he was leaving his oldest kid
and only son in the fucking city. In later years, the few times I could
convince him to give me a ride to whatever shitty apartment I lived in, he
never took the bypass or interstate, always straight up 360 until it turned to
Hull Street, and once we got past Chesterfield almost to where Richmond city
proper, he’d pull his pistol out of the glove compartment and sit it on the
seat next to him, forever convinced shit was about to jump off at any point.
Now to his credit, my dad was probably involved in some sketchy shit in
Richmond area environs from time to time back in the day, and usually sketchy
realms have the ever-present threat of attack come with that. But it tripped me
out he’d just be casually riding up Hull Street to Grace, pistol at his side.
When I was a teenager, and we got one of those
turntable/cassette recorder combo deals, I showed him how to plug a set of
headphones into the mic slot and use it to record yourself talking, and he’d
make these mixtapes all the time of him playing records and acting like he was
a DJ. This was after my folks had split up and me and him lived in a trailer
down the road from the house I grew up in where my mom still lived. Not much
more country than that life back then, front door open whenever it was even
halfway warm, for anybody passing by to stop and share a shot of Beam or bowl
of homegrown. He’d make those mixtapes, and have them set up in the dual
cassette recorder, playing back to back, so he wouldn’t have to change the
music for ninety minutes, letting one side of each tape go, then just flip them
both. And he’d always have “Living for the City” in the mix. Pretty sure I
heard on more than one mixtape he made the three song combo of “Longhaired
Country Boy” by Charlie Daniels Band followed by “Living for the City” and then
“And When I Die” by Blood, Sweat, & Tears. You could probably sum up my dad’s
philosophy on the whole fucking world in that three song combo.
I think about what he’d be like if he hadn’t died
young, and was still here during this fucked up political time. It’d be so
depressing to have to argue with his stubborn ass if he ended up a Trump
person, which is hard to figure. He hated cops pretty badly, definitely taught
me my deep distrust of the system, so he’d never be good with those blue lives
matters types. But who the fuck knows man? People getting brainwashed left and
right, thinking obedience to corrupt figurehead is some sort of rebellious act.
The fucked up thing is the story of “Living for
the City” isn’t really any different. Michelle Alexander made a whole book
about it, essentially, The New Jim Crow. It’s fucked up when you have these
artistic statements about important shit, and then forty years later, ain’t
shit changed. Art can point out all the problems in the world but as long as we
have corrupt assholes in charge, nothing changes. Fuckers.
Quarantine stay at home sorta orders got me not wandering
as much, which is antithetical to raw dirtgod nature, as wanderlust makes up at
least part of 7 pairs of my chromosomes. I’ve felt an unrelenting urge to
scribble “dirtgod” on as many boxcars as I can lately, like more than I’ve ever
felt, and I think that’s the explosion of unexpressed energy. You scribble shit
in one place, and it just makes you want to scribble it in three million other
ones. Let my stupid infinity eyes ride around to places the me that’s trapped
inside the physical limitations of existence never will. Anyways, I think I’m
going to walk 10 miles in the rain later today. That feels like the right path
to take.
I had a money tree once. It was pretty neat, in the
spring time, when it would blossom with brand new shiny copper pennies. I’d get
so excited, and have to tell the kids not to pick them, not to eat them because
they’re poisonous, and to wait and let them ripen. They’d turn into dimes when
you left them, and that too was so exciting, but again, you had to wait. I didn’t
know how money trees were though, and the first few springs I lived with one,
it’d turn to dollars almost overnight, and I’d wake up and think, “Oh wow, I’m
gonna get all those dollars when I get home from work today!” I worked
construction then, so usually didn’t get home until 7 or so, and by the time I
got home, the birds had picked all the dollars off the money tree before I got
any. After two or three years of that, I realized, I had to be ready, and I’d
sit there in the evening, watching the money tree’s nickel and dime blossoms,
hoping they’d turn to dollars, “trying to make a dollar out of fifteen cents”
literally. But the birds knew about the money trees before me, always, these
predatory birds I never saw who always swooped in when the dollars blossomed
and snatched it all up before I could get any. I’d wake up, and see the nickels
and dimes in the morning, waiting for it all to mature. But then one morning it
was all gone, maybe a couple torn overripe dollars laying on the ground for me
to pick through, the trickle down from the predatory harvest, for me to try and
get half a handful of that taste. I always wonder what it tastes like too, to
have an actual money tree pie, not just a few rotten dollars that fall to me. I
imagine it tastes wonderful, but I honestly have no idea. I’ve heard stomachs
like mine can’t even handle it. I’ve tried making pie with the nickels and
dimes too. It tastes okay I guess, but this can’t be what they mean. Not sweet
at all, no richness, bland dreary slice of pie that fills my belly with a sort
of sustenance, I guess, but I still feel hungry, and lacking, all the time.
Hey, consider this a friendly reminder that I operate a Sovthern Gothicc Fvtvrism patreon as well, that you can support. I've made the majority of the posts I've been making recently public instead of patrons-only though. I had thought about doing a podcast again, even though I hate podcasts, so instead I did a quick recording of some thoughts over top an older Boogie Brown aka Blue Globe Beats beat, and then generated some visuals using weird freeware. These are called dirtgod transmissions. I may do them every day for the rest of my life, or I may not ever do another one...
dirtgod transmissions 001: riptides & pyramids
dirtgod transmissions 002: I regret to inform you...
We are in quarantine in America, and perhaps it is dystopian but wow what a bourgeoisie dystopia, nothing like ‘70s and ‘80s movies led me to believe. A long day of pretending to work from home was psychically exhausting so I fell asleep, and woke up and it was already dark, so drove through the abandoned streets to pick up take out from the Afghan place across town. The city was dead, not literally, just vacant for 8:30 on a Friday night, creepily so, no burning cars or warlords or really anything. Just a well behaved quiet. After picking up my order (actually my girlfriend’s order), thanking the nice woman giving me my food at the Afghan spot, including a mint doogh (always a mint doogh), I navigated my way out the parking lot, having to turn left, but the light never changed. It let the mainstream of traffic keep doing, like twice, and never let me go left. I could’ve turned right, gone down a bit, and done a U-turn to go left, although not even sure you can U-turn there, might’ve ended up going halfway to Maryland by the time I could’ve turned around. Fuckin’ light didn’t want me to go left at all, so finally I just made sure no cars were coming and just went fucking left. The system gets in the way sometimes.
I realized as I was sniffing the smell of my jasmine rice and lamb kebab float through the Toyota Corolla air, that this was all metaphor for politics in America. But I also realized I didn’t give a fuck to get everybody to turn left. I was just trying to get the fuck out of the way of everybody else and go live my life in peace. Y’all can stay stuck at the fuckin’ stoplights for the next nine generations if you want, telling me, “THIS IS THE MOST IMPORTANT STOPLIGHT EVER! IF YOU JUST TURN LEFT WHEN IT’S RED YOU’VE ESSENTIALLY GIVEN UP ON EVER ACTUALLY TURNING LEFT LEGALLY, IN INCREMENTAL STEPS!” I know, right?
Had been planning on getting a passport this month, but doesn’t look like it’s gonna matter now. Oh well. Traveling the world was an unsustainable philosophy to have. There’s plenty of shit within walking distance I never saw yet. The railroad tracks are beautiful this time of year.
Simultaneously seen some folks complaining about how not enough deaths are getting classified as Covid 19 deaths, while other folks complain about how too many things that have underlying health issues are getting classified as Covid 19 deaths. Both sides are built upon the notion the numbers are science, and that shit is pure and infallible and altruistic, and you can’t fuck with science.
The numbers always are gonna justify whatever the fuck whoever is posting them up wants it to justify. I think about this a lot in terms of a football game where there’s a big third down play, and it’s close, so they do the measurement to see if somebody got a first down. The camera closes in on the measurement, and it’s the football there, with the pole attached to the ten foot of link chain, and you get this very dramatic interpretation of the measurement where it’s like, “OH SHIT, THEY’RE TWO INCHES SHORT!” Of course all of that is predicated upon the ref putting the ball down wherever the fuck he thinks he should go. And on the other end of that ten feet of chain is just some dude poking the other pole into the fucking ground wherever the fuck he thinks it goes. It’s all theater. You can best believe the same math that had folks in charge thinking a whole slew of human beings only counted 3/5 is being used to figure out whatever numbers they’re brandishing about now as well.
Look, I'll be honest… I'm not really giving a fuck here the past couple days. I'd rather have a woman in shiny silver go go shorts try to choke me out from above with her thighs, in a roadside motel along a former US highway that's as abandoned and hopeless as my heart, in some town too forgotten to even have a Dollar General anymore. As soon as quarantine is done, I'm gonna do that shit. For the rest of my life (which hopefully means at least six months). Stretched to capacity fishnets with a couple rips and maybe a leg bruise or two will always catch a stray dirtgod. And lord have mercy if there's a fucked up $60 thigh tattoo involved… game over.
Haven’t been posting songs of the day shit much
lately, mostly because the world is in quarantine, I’m working from home, and
god there’s too many fucking non-essential opinions right now. Travis Bickle’s
making a lot of sense to me lately. Feel like beating my head against the
walls, which are closing in, but not to escape just to damage me, which I guess
is a form of escape.