This past Sunday, I got hung up on the idea of MORE
MORE MORE and colonial conquest, so drove a couple hours, fucking around,
looking at another dying southside Virginia town’s major factory get turned
into rubble, piles of rebar and concrete to be sorted, while the poor get
poorer and the rich keep living off the fat of their grandfather’s land, hoping
to keep one old mill downtown in place to renovate as a microbrewery, named
after whatever the factory that got demolished used to do most likely. The
dwindling returns of the dying empire. I ended up at the edge of Danville yard,
put a single Dirtgod on an old faded red caboose, saw a Colossus of Roads, then
the airbrakes fired up, and I heard the walkie talkie and gravel crunch of
footsteps that may or may not still give a fuck. A quick jump into the bushes,
trying not to get pokeberry stains on my cargo shorts, found a really dope
illegal dump where a giant pile of once pink carpet had faded into mold mildew
and resilient garish pink fibers still sticking up like middle fingers against
the entire world.
The next day, still having that itch to walk the
tracks, to see the solitude where the tracks go but few feet do, I went not
even five miles from my house, where I moved recently. The exciting direction
would’ve been south, across a bridge, where the kudzu was overtaking an old
post office that may or may not still be functional. Hard to tell sometimes, in
places where things move as slow as the kudzu itself. But something told me to
walk north instead, some unexplainable sense of best direction, more connected
to heart than brain. Shit, in those types of environments, too much brain is a
liability. So I headed north.
Kudzu crawling everywhere, beautiful little pieces
of detritus begging me to fill a bucket and make them into American industrial
nkondi, which I likely will in the coming years. Around a curve, and I could
see far ahead a rock outcropping, where back in the day they had to blast their
way through, to maintain that Church of Level Track. Bright flashes were clear
to me, even with my dilapidated prescription and scratched glasses. Sure
enough, even way the fuck out here, near nothing, surrounded by nothing,
embracing the nothingness, there were scribbles and etchings. Graffiti from
1986, and then a carving from 1972. And then initials and a 1911 etched into
the stone. Beautiful. I didn’t even put a dirtgod moniker up, because I didn’t
carry no paint sticks with me, but also it wouldn’t have been right. I mean, it
will be one day. But forcing that first time would’ve been like consuming another
place, practicing conquest, pissing on everything I pass. I’m sure I’ll go back
to this spot time and time again, and vibe like the misfits before me have, and
the outcasts long after me will too. And one day it’ll feel just right, and
that unexplainable sense of what’s right and left and right and wrong will say,
“yeah, go ahead.” And I’ll scribble it then.
But not this day, the other day. Then I heard that air horn in the distance,
far away, then at the crossing by the post office getting reclaimed by the
Earth, because there’s no crossing gate there, just a road through the nether
regions of the Blue Ridge humping over ancient tracks. The birds and bugs
started making their sounds of alarm, at all the ruckus coming through again. I
tucked myself back along the rock outcropping, made a little bench of a piece
of stone, and watched the empty coal train crawl past through the elevated
curve, waved at the driver, and he honked back that jarring diesel air horn,
and fuck man, life was perfect in that moment.
But then the train was gone, and the sun was
setting, and the cold air was coming in. So I walked back, tracing my path on
the cross ties through the kudzu, back to my car, and civilization, and the
false promises of comfort. My brain assured my body, trying to get comfortable
and get some sleep in this big house by a quarry in a small town in a dying
empire, but my heart was like, “you lying motherfucker!” to my brain. “You
always be lying about how shit’s gonna be.”
RAVEN MACK is a mystic poet-philosopher-artist of the Greater Appalachian unorthodox tradition. He does have an amazing PATREON, but also *normal* ARTIST WEBSITE too.
Wednesday, October 7
SONG OF THE DAY: Grow Old
Label Labyrinth:
dirtgod theory,
Krupert's jukebox,
kudzu and honeysuckle,
railroad tie tapping,
solitude of the raven
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