RAVEN MACK is a mystic poet-philosopher-artist of the Greater Appalachian unorthodox tradition. He does have an amazing PATREON, but also *normal* ARTIST WEBSITE too.
Just
another cabin boy on a ship of fools, waiting for the water to fill my lungs.
Everything is completely obvious, yet everyone wants to get lost in the
semantics of how you get around to pointing at the obvious, until we’ve talked
ourselves into oblivion, the acts of the oblivious, purposefully ignorant to
the facts in front of us, and I don’t even know why. So mostly I think, “fuck
it,” and cosplay like my job is important enough to justify riding along until
I die. Maybe we won’t hit the iceberg in my lifetime, not until my kids are
older, maybe not ‘til my grandkids exist. Just another cabin boy on a ship of
fools.
Now That’s What I Call Love Songs For Big Women And The Goofy-Assed Men That Love Them, Volume 8, was always in heavy rotation around the time machine parts factory I worked at outside of Kenbridge for a couple months in the spring of 1998. We made kerfufflic coils, and I was managed by a guy who had Rudy on his name patch but everybody called him Toots, and he was chill I guess, so far as managers go, but there was a big rush in people trying to refurbish old time machines in that period before Y2K, and I definitely didn’t have the same grasp on kerfufflic coils back then that I do now, so I kinda hated that job. I mean, I’d still hate it, because all we did was making a tiny coil for old time machines, no time travel involved, in fact, it was really quite boring. I think minimum wage was still around $5, because I know they paid us $9 an hour, which was actually great money for Kenbridge back then, but I’d complain, “Sitting here making shit for a fuckin’ time machine, making $9 an hour,” and Toots would go, “Shit boy, that’s double minimum wage. You way too much college boy sometimes.” He was probably right. College changed me. I wasn’t Southside Virginia anymore, briefly tricked into having dreams and hopes which replaced getting high at lunch (we all need our delusions). But Toots controlled the boombox, and he kept Now That’s What I Call Love Songs For Big Women And The Goofy-Assed Men That Love Them, Volume 8, bumping regularly. If you’ve ever seen me do my weird, shit-eating grin shuffle dance/creep thing, I learned that from Toots. New guy always had to sweep up at the end of the shift, which meant me the entire couple months I worked there, and Toots would just shuffle dance across the concrete factory warehouse floor with 15 minutes left in the shift, singing, “Time to sweep up, boy… time to sweep up all this shit. Time to sweep up, boy… get that push broom Raven.” That was my favorite part of the day, him dancing and singing, me pushing the thick bristled push broom forward, with a whoosh, then a lifting THUMP to quake the dirt out of it, before pulling back for another big whooshing push, all of it going to the middle, everything moving to the center, then dust panning all the day’s dirt out of existence, like none of it ever happened. We’d all stand around that last couple minutes, boombox still blasting, shooting the shit, waiting for Toots to get up and hit stop on the boombox. Clock on the wall was five minutes slower than him, but we went by Toots watch, even though he didn’t wear one that I ever saw. But he’d hit stop, and the first musical silence of the day meant we all grabbed our coats and started heading to the door. He’d be standing there waiting to lock up. I didn’t quit officially, just stopped going, because I woke up the next day and didn’t feel like keeping down that particular dead end, hoping for a different dead end to get lost on. I was the last one out that last day I went in though, and as I walked past, and Toots moved to lock the door walking out behind me, he sang sort of so I could hear but also just as much to entertain himself, “Have a good night, motherfuckin’ college boy.”
Still chopping and screwing country classics, because it's a way I can reconcile where I came from with where I am. That shit is hard for a lot of people. The past becomes too much, and you can't ever leave it behind, or you just run from it over and over. Now is hard as fuck too for people, especially when that past blew so many holes in you. I don't know... sometimes I think I'm doing better, but other times I think I ain't done nearly enough. But I did this much.
There’s
a local blues show that goes for approximately 74 hours every Saturday night on
NPR, with some old ass dude who looks nothing like he sounds hosting. He shaves
his face, and never had his electricity cut off for non-payment. Thus, he doesn’t
get it. But this is a brave new world, where you don’t actually have to get it
to act like you get it, and if you act long enough and hard enough, people
politely go along with believing you got it.
Anyways, there’s such a wonderful large body – no pun intended – of old blues
songs about big women, which is enjoyable on the very basic level, but also
even greater when you think about some dude sitting around, thinking about writing
a song, and decides to go all in on glorifying his big ol’ lady in a song. One
time I wrote an entire 14 poem crown of sonnets about loving big asses too
much, so I got banished to a mountain range which was giant asses, occupied
entirely by stick women who exiled me from their community because of my over
enthusiasm in the actual realm about big asses. That’s a little too much to
explain in three verses and a chorus, so I appreciate the way bluesmen kept it
simple. There was no video for this song I could find, so I made one, but don't worry, the owners of the music maintained their copyright, so if you watch this video 13,000 times in a row, you'll make them seven pennies, not me.
Summer
might be over if you’re bound by the shackles of the calendar boxes, but the
summer breeze never stops if you got your fifth eye activated to the
synchronized dance of Jupiter and Saturn, with the hunter’s moon making night
as if day. The summer breeze is much colder this time of year, but that’s just to
encourage hibernation of spirit to process the devils who have blossomed in
your life over the past planting season, and cast those who need to be
forgotten away as memories instead of accomplices. Place a white quartz stone
at your back door for environmental benefit, and also stack a few in your front
yard as a warning to any carriers of negativity that their intentions shall not
pass. Usually a quartz pile of ten to three thousand stones, from seven inches
to 469 feet high, should do the trick.
Been
sad today, perhaps too much Monday, at societal level to be honest. We keep
getting told the end is near, the end is coming, but it just turns out to be
the weekend, and we’re right back at Monday morning again, with the same
bullshit type of people standing on top of everybody else. I keep hoping the
apocalypse for this western civilization is actually here, and a new epoch can
begin, but I gotta keep on washing and hanging up these work clothes, before
every Monday, and likely will until I die. What kinda deal is that?
The
other week I was on a long ass vehicular wander, through the nether regions of
upper Appalachia, where there apparently is some sort of coordinated secret
effort to turn all school boards into write-in candidates, who oppose a bunch
of made up things that aren’t actually happening, but Fox News beams strong in
rural America. Anyways, as one does, I got a few pieces of fried chicken
somewhere near the West Virginia/Maryland or Virginia/West Virginia or some
fucking border, who knows… I am just a man driving long distances to vibe, I do
not recognize the imaginary lines on a map while vibing that hard in a car in
the actual world where those lines don’t exist (though y’all motherfuckers do
put up a lot of fences, don’t you?). The chicken thighs had the taste of fish
as well, a shared fryer, which I don’t mind, that’s a blessing, anyone who
tells you otherwise is a prude who expects too much from fried meats country
folks adore. You gotta look for those dope ass country stores for the fried
chicken hook-ups, which I found, and it hit, hard. A little too hard probably,
and as the DJ Screw mixtape I was bumping, I felt impending problems with
continuing my drive too much further without a gastrointestinal pit stop. That
sucks though, because country stores, and gas stations in general, are horrible
places to take a shit, so I usually look for a Sheetz or Wawa, in that region
at least, because they are consistent in making their wage slave employees
clean up the bathroom. Found a Sheetz, and it was weird, because there was a
freestyle rocking on the Screw tape over a song that had sampled “Superman
Lover”, that old Redman beat I think it was, but it might’ve been something
else using the same sample, but then when I went into the Sheetz, and found my
temporary road dog throne, I realized “Superman Lover” was blasting in the
Sheetz. Why the fuck were they playing Johnny “Guitar” Watson on the Sheetz
radio? It made no sense, other than one of those perfectly synchronized moments
of magic. I knew then that my choice in fried chicken, car music, and stopping
to get myself right all were perfect. And when I was done on my throne, I got
two Perrier peaches, got back in the car, and kept driving. I haven’t stopped
since. I’m driving now, texting this straight from my mind to the internet,
because they have that technology now in the nether regions of Durango state in
northern Mexico. I figure I’ll just keep driving down to Chile, then off to the
moon while it’s full again. I bet driving on top of a full moon is
transcendent. Probably gonna listen to some vaporwave for that leg of the trip
though.
There
is an abandoned soapstone factory in the woods around here, like a giant
structure made of soapstone slabs with no roof where narrow gauge train used to
roll in and get loaded up. I do a lot of wandering, so accidentally discovered
that if you’re sitting around down there on a new moon that falls on an
increment of 7 as a day (like the 7th, 14th, 21st, or 28th), it turns into a
spirit dive, so you see (hallucinate? who knows, nothing is real, especially
not reality) an old bar take the form of the building, and a bunch of weird
characters (me included) are all hanging out. I never drank the first time I
was there but the second time an old dude named Juney told me it was okay, the
wine didn’t actually have alcohol in it, or anything, like if you drank it
nothing came out the cups, but it got you drunker on the vibes by pretending,
so I did. Great time. That night an old spirit they called Haze started banging
this song out on a homemade cigar box guitar, loud as fuck he was yelling the song,
and all the spirits – man, woman, other – just started shaking their (our)
asses like wild, “MAMA, SHAKE THAT THANG! DADDY, SHAKE THAT THANG!” for what
felt like hours and hours and hours but I couldn’t tell time at all because it
was a dark new moon and the kerosene lanterns (hallucinated) in the joint were
the only light. When I made my way back up the hill, I’d only been down there
about 15 minutes, but I was sweaty as fuck, and somehow I lost a sock, but
still had my walking boots on. Never quite figured that part out,
hallucinations or real or whatever. How the fuck do you lose a single sock without
taking your shoes off? It was one of my favorite socks too, blaze orange Polo
crew sock. Shit kinda bums me out but I hope a spirit just took that shit as a
memento. Still though, what the fuck?
The
rise of Artisanal Poverty in American culture over the past quarter century has
been strange, where the children of affluence conceal themselves in the
camouflage of struggle, only to end up buying houses cheaply in “bad”
neighborhoods, after years of renting in same places, driving up the “value” of
those locations collectively. The first sign of successful occupation is the
small business bakery, in a corner store front that had either been abandoned
for a while, or was a church, or some weird shit. But now it’s a bakery, with
really delicious but expensive pastries and breads, and literally nothing else.
Definitely pie. The boutique pie shop is a definite staple of the Artisanal
Poverty movement. Many of the denizens still dress as if they’re street urchins
from Birmingham (UK) in the decades after the Industrial Revolution, but most
of them are college graduates, albeit struggling in the declining American
Empire, thus often required to work service industry jobs while also “building”
their own small businesses through the access to wealth they always had as
foundational support. They make money, but also have a lot of bills, thus they’re
always “broke”, usually because they have to access forms of wealth they’d
rather not more often than they’d like to. And for many of them, used to seeing
the previous generations accumulate wealth rather than barely hold even or
actually dip into that wealth, it feels like they are broke somehow. They try to
save money, only going to the pie shop or corner pastry spot a couple times a
month, rather than every Tuesday afternoon like it used to be. They share the
logins for streaming services with their close circle, so that they can still
watch everything important without having to pay for it directly. Eventually,
the original house in an old neighborhood loses its luster because everything
got “too bougie” and gentrified for them, the earliest colonizers of a bad
neighborhood. So they sell it, quietly, without calling a lot of attention to
the move, because profiting off a neighborhood that they directly helped
gentrify breaks the Artisanal Poverty aesthetics. Keep that on the down low,
but they can roll the profits into paying their parents or grandparents back a
little bit of money, to keep things kosher for the next time they have to lean
on that wealth that will inevitably fall to them anyways. Plus, usually they got
a little extra to roll into a new truck down payment for their construction
business, which also helps validate the Artisanal Poverty vibes, because it’s
like they are an old country music song, except they are wealthy, and hardly
rural in cultural practice, despite what their location may have ever
suggested. Artisanal Poverty’s clout levels have risen immensely in recent
years, due to the expansion of memes, which have co-opted skillets (aka “frying
pans” to most of them), pop country music of yesteryear, and pre-suburban
imagery of rural America. Most of them don’t realize pop country has never been
truly rural, in many many decades, and they are worshipping a past vision of
American life that never actually existed in the first place, not unlike Trump
supporters, just from a contrarian position. Dolly Parton is the patron saint
of Artisanal Poverty, which is no diss to Dolly, because I play my “Jolene” 45
at 33 rpm at least a couple times a month still, though to be honest the shit I
go to more often than not is the first Trio record. Artisanal Poverty loves
Dolly Parton, and Reba McIntire too, but never has shit to say about Emmylou
Harris, ever. Very telling. But Dolly’s visual aesthetics plus progressive
attitudes towards sexuality makes her the patron saint of Artisanal Poverty. So
if you find yourself walking through a strange city, and you’re going through a
rough-looking neighborhood, so your media-ingrained anxieties start to rise,
and you’re slipping into hyper-awareness fight-or-flight mode, but all of a
sudden you see a small bakery shop, for some weird reason, with Dolly Parton
blasting respectfully loud inside, fear not friend, you’re not in an actual
poor neighborhood. It’s just an Artisanal Poverty zone, and you’re safe (as
long as you or your parents’ credit rating is good enough). Try the organic apple
fritters, and lose yourself in trying to decipher all the colorful expensive
tattoos’ super-clever meaning!
Been
in a bit of funk lately, but combatting that by going into abandoned buildings
and doodling as many variations of the #25 El Borracho card as I can, paying
homage to all the great drunkards I’ve known, but in my personal life but
culturally as well. Was looking up choices people used for making an El Pachuco
card too, seems like the most common results has 26, which doesn’t make sense
to me. There’s a t-shirt that comes up with nice El Pachuco art and using #1,
and sure, there’s rooster-esque qualities to a fully zooted pachuco, but I’m
not sure I’d give up the chance to have a rooster card in any deck of anything.
Roosters are pretty fucking amazing, visually. Seems like maybe #4 would make
sense, but I don’t know, it’s not my place. Anyways,
I’ll just keep drawing El Borracho cards (“los borrachos?”) in those old
factories that will never open again, marking the years away.
I refuse to hustle. It does no good. Look at Pete Rose. Some people will say disco, and synths, and color coordinating all your clothes even though it's raining and you're home alone (except the cats), are weird behaviors. Luckily I don't know them people.
Been
listening to a lot of Charlie Rich. Little known fact about Charlie Rich… he’s
former NWA World Heavyweight champion Tommy Rich’s uncle. If you look at
pictures, you can see the resemblance. Man, what a Cadillac car ride from
Macon, Georgia, to Memphis, Tennessee, that would’ve been in 1979.
I spent two hours either napping or watching the new stupid Sopranos movie, which sucked, but was probably exciting to people who enjoy seeing famous character look different. It did help my napping though, except I woke up, and the thing was still fucking on. How long was that shit? Who the fuck has time to sit in a movie theater for three hours?
Anyways, this made me think how much of our idea of what’s good and what’s not is enculturation, and the expectations we have from what we’ve already consumed. I absolutely would’ve been better off watching a Wakaliwood movie this afternoon, which is the Ugandan film studio where a house DJ does commentary over the top. The special effects are cheaper, but more special, and the stories are enjoyable. The commentary makes it though, and when I went to the big wheel donk races in North Carolina, it was interesting that they had a house MC talking up the races the whole time too, just like Wakaliwood movies. That’s a piece of African culture modified for post-modern world I wish was more common, because it adds a lot.
Nyege Nyege Tapes is from some festival of crazy people music, and the Wakaliwood folks did a takeover movie where they movie killed a bunch of Nyege Nyege music festival fans as part of the festival one year. I need an arts scene like that, to be honest. America is fucking boring at this point. This song is from an Nyege Nyege release, and whenever I listen to it, I fantasize about stealing spaceships while on biker crank. It’s a lovely fantasy. There was no video for this song so I made one. I should’ve used Wakaliwood footage in retrospect, but I’m not good at retrospect because I’m a southern gothicc futurist.
This beat by Boogie Brown was the theme to Monday Night Rumble of The Discourse, as seen on MY PATREON (which you should totally support, if you are able). I really loved doing those Monday Night Rumbles of The Discourse, but it got tiring, not really the making of those videos but actually paying attention to The Discourse. It’s all so toxic, like drinking arsenic water, and it seems those who are invested in believing in politics actually believe you can drink up the poisonous constantly, and something good still will come from it, if you just believe. I can’t believe like that. I’m not willing to handle snakes all that much and pretend they’re not fucking snakes that ultimately will bit me. So the main reason I couldn’t keep up with doing those videos is fuck man, who wants to ingest all that much discourse voluntarily? The track itself is amazing though, and I love it dearly. I loved it before I used it for the discourse rumbles, and I love it even more now, because every time I hear that one part, I expect my voice to come in talking about the abandoned concrete factory.