The last time I went on a wander for train tracks and used record shops, I went to one in a small town in North Carolina, but the dude running it didn’t take in store customers no more. He let me in to talk though and he had a shelf full of old 12-inch singles in the back that I saw, all faded and enticing. I stopped at an old school turned into giant junk market that I had passed too, because I figured he had to have a stack of 45s in there somewhere. The Record Gods smiled on me that day, because he did have one small shelf with a stack of like 75 or so. But in that stack I found a couple very clean copies of Yarbrough & Peoples “Don’t Stop the Music”, some clean Solar Records 45s (always a groove slowed down), and yet another scratchy but wonderful copy of Dennis Coffey’s “Scorpio”, the famous break that’s been backbeat to hip hop since the beginning of Kool Herc having parties. I’ve been meaning to sample my scratchy ass copy to send Boogie Brown to use in a beat, because in our modern digitized fake perfection realm, having a classic breakbeat looped from actual raspy ass vinyl copy from North Carolina junk store adds a missing spice to our cyber-life. There’s a reason all those old breakbeats were so popular, and I bet there’s more still hiding, maybe not in American music genres, because them old school DJs dug pretty deep. But stuff is still hiding. There’s always gems you can dig deeper for.
Anyways, I’m contemplating a drive to a big ass used record store this weekend, to take my luck with The Record Gods, and see if I’ve been living right. I feel like I have, but you never know what they have in store for you. I seem to be ruled by record stores close to me that don’t believe in The Record Gods no more, and I can’t stand those secular ass bougie colored vinyl spots. If that’s your thing, fine, enjoy your life (if you can afford it). But to me, true digging is always going beyond what’s known, and keeping it cheap as you can. Ballin’ on a budget… that’s a foundational tenet of hip hop actually, which for some reason as we get all this 50 years old hype, nobody talks about that aspect as much. Capitalism co-opted the fuck out of it, and is riding the vinyl resurgence as well right now, beating it like a sick horse to crank out seven colors of the same Taylor Swift shit. I still worship The Record Gods and bypass all that shit, and I’ll take my chances with dusty fingers in some fucked up spot a boy told me about a few months back. Also hoping The Train Gods bless me too, because probably gonna try to scribble a few dirtgods while I’m wandering.
Anyways, I’m contemplating a drive to a big ass used record store this weekend, to take my luck with The Record Gods, and see if I’ve been living right. I feel like I have, but you never know what they have in store for you. I seem to be ruled by record stores close to me that don’t believe in The Record Gods no more, and I can’t stand those secular ass bougie colored vinyl spots. If that’s your thing, fine, enjoy your life (if you can afford it). But to me, true digging is always going beyond what’s known, and keeping it cheap as you can. Ballin’ on a budget… that’s a foundational tenet of hip hop actually, which for some reason as we get all this 50 years old hype, nobody talks about that aspect as much. Capitalism co-opted the fuck out of it, and is riding the vinyl resurgence as well right now, beating it like a sick horse to crank out seven colors of the same Taylor Swift shit. I still worship The Record Gods and bypass all that shit, and I’ll take my chances with dusty fingers in some fucked up spot a boy told me about a few months back. Also hoping The Train Gods bless me too, because probably gonna try to scribble a few dirtgods while I’m wandering.
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